tag:blogger.com,1999:blog-55899861919923943492024-03-13T21:49:51.265-07:00acustica-cancunsberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-5589986191992394349.post-65170645449173586592010-09-05T09:37:00.000-07:002010-09-05T09:39:23.724-07:00POST-MEETING TourVisti to UXMAL, MERIDA and CHICHEN-ITZA<br />Costs<br />Single Occupancy, 350 DLS.<br />Double Occupancy, 250 DLS per-person<br />Detailed Information, Registration and Payment<br /><a href="http://www.tropicalincentives.com/">http://www.tropicalincentives.com</a>sberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com1tag:blogger.com,1999:blog-5589986191992394349.post-26864219809370407722010-09-05T09:31:00.000-07:002010-09-05T09:44:48.985-07:00Technical ProgramTECHNICAL PROGRAM CALENDAR<br /><br />2nd Pan American/Iberian Meeting on Acoustics<br />Cancun, Mexico<br />15-19 November 2010<br /><br />Monday Afternoon, 15 November<br />1pAA Architectural Acoustics: The Dish on Drama Theatres: Acoustic Tips, Tricks, and Trends<br />1pAB Animal Bioacoustics, Noise, ASA Committee on Standards, and Noise: Noise Exposure Metrics<br />1pAO Acoustical Oceanography, Underwater Acoustics, Physical Acoustics and Animal Bioacoustics: Acoustics of Bubble Clouds and Fish Schools<br />1pBB Biomedical Ultrasound/Bioresponse to Vibration: General Biomedical Acoustics Topics<br />1pMUa Musical Acoustics: Acoustics of Brass Instruments<br />1pMUb Musical Acoustics: General Topics in Musical Acoustics<br />1pNS Noise: Noise Sources, Noise Reduction Materials, and Active Noise Control<br />1pSC Speech Communication: Articulatory Acoustic and Analysis Issues in Speech Production<br />1pUWa Underwater Acoustics: Scattering By Objects, Bubbles, and Organisms<br />1pUWb Underwater Acoustics and Acoustical Oceanography: Compressional and Shear Wave Dispersion in Unconsolidated Media I<br />Monday Evening, 15 November<br />1eID Interdisciplinary: Tutorial Lecture on Forensic Voice Comparison and Forensic Acoustics<br /><br />Tuesday Morning, 16 November<br />2aAA Architectural Acoustics: Architectural Design for Acoustics - Issues and Examples<br />2aAB Animal Bioacoustics: Software for Bioacoustic Analysis<br />2aAO Acoustical Oceanography, Underwater Acoustics, and Signal Processing in Acoustics: Remote Sensing with ambient Noise<br />2aBB Biomedical Ultrasound/Bioresponse to Vibration: Doppler Methods and Blood-Flow Imaging in Medical Ultrasound<br />2aED Education in Acoustics: Teaching Acoustics in the Americas I<br />2aMU Musical Acoustics: Analysis, Synthesis, and Perception of Musical Sounds I<br />2aNS Noise: Environmental Noise in Cities I: Noise Surveys<br />2aPAa Physical Acoustics: Resonators and Cavitation<br />2aPAb Physical Acoustics: General Physical Acoustics I<br />2aSA Structural Acoustics and Vibration: Emerging Technologies in Structural Acoustics and Vibration<br />2aSC Speech Communication and Psychological and Physiological Acoustics: Perception: Processing, Training, and Modality<br />2aSP Signal Processing in Acoustics: Signal Processing for Speech Recognition<br />2aUWa Underwater Acoustics: Scattering from Boundaries<br />2aUWb Underwater Acoustics: Acoustic Localization<br />Tuesday Afternoon, 16 November<br />2pAA Architectural Acoustics: Acoustics of Precolumbine Buildings<br />2pAB Animal Bioacoustics , Noise, and Underwater Acoustics: Monitoring and Effects of Underwater Noise in New Technologies<br />2pAO Acoustical Oceanography: Acoustic Interaction with Internal Waves<br />2pBBa Biomedical Acoustics/Bioresponse to Vibration, Physical Acoustics, and Signal Processing in Acoustics: Biomedical Applications of Time Reversal Acoustics<br />2pBBb Biomedical Acoustics/Bioresponse to Vibration: Biomedical Applications of Radiation Force<br />2pEA Engineering Acoustics and Musical Acoustics: Engineering Acoustics for Audio: Parametric Sources, Speakers, and Horns<br />2pED Education in Acoustics: Teaching Acoustics in the Americas II<br />2pMU Musical Acoustics: Analysis, Synthesis, and Perception of Musical Sounds II<br />2pPA Physical Acoustics: General Physical Acoustics II<br />2pSA Structural Acoustics and Vibration: Vibrations and Energy Conversion in the Ocean<br />2pSC Speech Communication: Variation in Perception and Production<br />2pSP Signal Processing in Acoustics: Signal Processing in Multi-Channel Systems<br />2pUW Underwater Acoustics and Acoustical Oceanography: Compressional and Shear Wave Dispersion in Unconsolidated Media II<br /><br />Wednesday Morning, 17 November<br />3aAAa Architectural Acoustics, Musical Acoustics, and Noise: Acoustics of Ancient Sound Instruments I<br />3aAAb Architectural Acoustics and Psychological and Physiological Acoustics: Binaural Perception of Acoustics in Rooms<br />3aBB Biomedical Ultrasound/Bioresponse to Vibration: Bioeffects and Tissue Characterization<br />3aEA Engineering Acoustics and Noise: Low Cost Materials for Acoustic Barriers and Noise Control<br />3aMU Musical Acoustics: Natural and Ethnographic Wind Instruments<br />3aNS Noise and Architectural Acoustics: Soundscape in Progress: Applications in Communities<br />3aPA Physical Acoustics and Noise: Acoustical Exploitation of Periodic Structures I<br />3aSA Structural Acoustics and Vibration: Applications of Structural Acoustics and Vibration<br />3aSC Speech Communication: Forensic Voice Comparison and Forensic Acoustics I<br />3aSP Signal Processing in Acoustics: General Signal Processing<br />3aUWa Underwater Acoustics, Acoustical Oceanography, Animal Bioacoustics, Physical Acoustics, and Signal Processing in Acoustics: Acoustics and the Deepwater Horizon Oil Spill I<br />3aUWb Underwater Acoustics and Acoustical Oceanography: Acoustic Propagation and ambient Noise in Deep Water I<br />Wednesday Afternoon, 17 November<br />3pAA Architectural Acoustics, Musical Acoustics, and Noise: Acoustics of Ancient Sound Instruments II<br />3pED Education in Acoustics: Acoustics Education Prize Lecture<br />3pID Interdisciplinary: Hot Topics in Acoustics<br />3pNS Noise and ASA Committee on Standards: High Performance Hearing Protection<br />3pPA Physical Acoustics and Noise: Acoustic Exploitation of Periodic Structures II<br />3pSC Speech Communication: Forensic Voice Comparison and Forensic Acoustics II<br />3pUWa Tentative: Underwater Acoustics, Acoustical Oceanography, Animal Bioacoustics, Physical Acoustics, and Signal Processing in Acoustics: Acoustics and the Deepwater Horizon Oil Spill II<br />3pUWb Underwater Acoustics and Acoustical Oceanography: Acoustic Propagation and Ambient Noise in Deep Water II<br /><br />Thursday Morning, 18 November<br />4aAA Architectural Acoustics: Auralization, Modeling, and Computational Methods<br />4aAB Animal Bioacoustics: Tropical Animal Bioacoustics<br />4aBB Biomedical Ultrasound/Bioresponse to Vibration: Image Guided Therapeutic Ultrasound<br />4aED Education in Acoustics: Take 5's<br />4pMU Musical Acoustics: Effects of Wall Vibrations in Musical Instruments<br />4aNSa Noise: Environmental Noise in Cities II: Measurements, Health, and Legislation<br />4aNSb Noise: Culture and Noise<br />4aPA Physical Acoustics: Thirty Years of Resonant Ultrasound I<br />4aPP Psychological and Physiological Acoustics: Hearing Impairment, Hearing Aids, and Cochlear Implants<br />4aSA Structural Acoustics and Vibration, Engineering Acoustics and Underwater Acoustics: Acoustic Metamaterials I<br />4aSC Speech Communication: Production and Perception of Spontaneous Speech I<br />4aUW Underwater Acoustics and Signal Processing in Acoustics: Physics-Based Signal Characterization, Classification, and Processing I<br />Thursday Afternoon, 18 November<br />4pAAa Architectural Acoustics and Noise: Sound Attenuation Through Ceiling Plenums<br />4pAAb Architectural Acoustics, Noise and Engineering Acoustics: Mechanical Engineering and Acoustics<br />4pAB Animal Bioacoustics: Animal Bioacoustics Metadata Workshop<br />4pBB Biomedical Ultrasound/Bioresponse to Vibration and Physical Acoustics: Ultrasound Contrast Agent for Molecular Imaging and Therapy<br />4pEA Engineering Acoustics and Signal Processing in Acoustics: Physical Array Microphone Development and Applications for Sound Source Identification<br />4pED Education in Acoustics and ASA Student Council: Project Listen Up<br />4aMUa Musical Acoustics: Acoustics of Guitars<br />4pMUb Musical Acoustics: Classical Guitar Concert with Juan Carlos Laguna<br />4pNS Noise: Noise in Latin America and Other Developing Countries<br />4pPA Physical Acoustics: Thirty Years of Resonant Ultrasound II<br />4pPP Psychological and Physiological Acoustics: Detection, Discrimination, and Spatial Hearing<br />4pSA Structural Acoustics and Vibration: Acoustic Metamaterials II<br />4pSC Speech Communication: Production and Perception of Spontaneous Speech II<br />4pUW Underwater Acoustics and Signal Processing in Acoustics: Physics-Based Signal Characterization Classification and Processing II<br /><br />Friday Morning, 19 November<br />5aAA Architectural Acoustics and ASA Committee on Standards: State of the Art in Measurement Methods and Facilities I<br />5aAB Animal Bioacoustics and Underwater Acoustics: Aquatic Animal Communication in Shallow Water<br />5aNS Noise, ASA Committee on Standards, and Animal Bioacoustics: Alternatives to A-Weighting<br />5aPP Psychological and Physiological Acoustics: The Binaural Display: Psychophysical and Physiological Constraints<br />5aSC Speech Communication: Voice and Prosody: Physiology, Acoustics, and First- and Second-Language Learning<br />5aUW Underwater Acoustics: Shallow Water Propagation<br />Friday Afternoon, 19 November<br />5pAA Architectural Acoustics and ASA Committee on Standards: State of the Art in Measurement Methods and Facilities II<br />5pABa Animal Bioacoustics: Acoustical Studies of Abundance, Distribution, and Behavior of Marine Mammals<br />5pABb Animal Bioacoustics: Biosonar<br />5pSC Speech Communication: Second-Language Learning: Perception and Production of Phonemes, Words, and Sentencessberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com0tag:blogger.com,1999:blog-5589986191992394349.post-86671986834448530052010-09-05T09:28:00.000-07:002010-09-05T09:31:42.425-07:00POST-MEETING Tour20 - 21 November<br />Visit to Uxmal, Merida and Chichen-Itza<br />Costs<br />Single occupancy, 350 Dls.<br />Double Occupancy, 250 Dls per person<br />Detailed Information, Registration and payment<br /><a href="http://www.tropicalincentivs.com/">http://www.tropicalincentivs.com/</a>sberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com0tag:blogger.com,1999:blog-5589986191992394349.post-62639332247033513482010-04-04T18:28:00.000-07:002010-04-04T18:34:36.732-07:00<div align="center"><strong><span style="font-size:180%;">2<span style="font-size:130%;">o</span> Aviso<br /></span></strong><br /><br />2ª Reunión Panamericana e Ibérica de Acústica<br /><br />15 – 19 Noviembre 2010</div><div align="center"> </div><div align="justify"> Áreas Técnicas<br /><br />1. Acústica Oceanográfica (Escuelas de pesca y Ruido ambiental)<br />2. Bioacústica Animal (Comunicación, Efectos del ruido y nuevas tecnologías, Animales tropicales)<br />3. Acústica Arquitectónica (Arqueológica, Auralización, Salones, Percepción de recintos, Plenos, Teatros)<br />4. Ultrasonido y Vibraciones Biomédicas (Tiempo invertido, Métodos Doppler, Terapia, Contraste)<br />5. Educación (Audición, Enseñanza en el Continente)<br />6. Ingeniería Acústica (Audio, Barreras, Identificación de fuentes sonoras)<br />7. Acústica Musical (Guitarras, Sonidos musicales)<br />8. Ruido (Cultura, Ambiental, Protección, Comunidad)<br />9. Acústica Física (Estructuras periódicas, Ultrasonido)<br />10. Acústica Fisiológica y Psicológica (Binaural)<br />11. Proceso de Señales Acústicas (Sistemas multicanal, Reconocimiento de voz)<br />12. Comunicación Hablada (Acústica forense, Percepción)<br />13. Acústica y Vibraciones Estructurales (Metamateriales, Coherencia, Conversión de energía)<br />14. Acústica Submarina (Dispersión, Procesamiento)<br /><br />Para información detallada <a href="http://asa.aip.org/">http://asa.aip.org</a>, y <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a>. o solicitar a <a href="mailto:sberista@gmail.com">sberista@gmail.com</a><br /> </div><div align="justify"> </div><div align="justify"> </div><div align="justify">2ª Reunión Panamericana/Ibérica de Acústica<br /><br />Conferencias<br /><br />Fecha límite para envio de abstracts es 1 Junio. Abstracts deben enviarse online a <a href="http://asa.aip.org/" target="_blank">http://asa.aip.org</a> (En "submit abstract" bajo Cancun meeting). Password es Cancun. La fecha límite para envio de trabajos completos (optional), para incluir en el CD es 10 Agosto. Solicitar información a <a href="mailto:sberista@gmail.com">sberista@gmail.com</a><br /><br />Inscripciones<br /> <br /> Antes del 4 Oct. En Cancún<br /><br />Miembros ASA, FIA, IMA 395. Dlls 455.<br />1 día 200. 260.<br />No-Miembros 445. 505.<br />Estudiantes miembros 0. 25.<br />Estudiantes no-miembros 50. 60.<br />Acompañantes 60. 95.<br /><br /><br />Transfer Aeropuerto-Hotel-Aeropuerto:<br /><a href="http://www.cancunshuttle.com/">www.CancunShuttle.com</a><br /><br /><br />Programa de acompañantes, info. detallada en <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a>. o solicitar a <a href="mailto:rdelafuente70@hotmail.com">rdelafuente70@hotmail.com</a><br /><br /><br />Personas o compañías interesadas en participar en la exposición, deben contactar a Robert Finnegan, Director de exhibiciones de ASA. <a href="mailto:rfinneg@aip.org">rfinneg@aip.org</a>. Tel. (516) 576-2433 y a: Ing. Sergio Beristain, en <a href="mailto:sberista@gmail.com">sberista@gmail.com</a><br /><br /><br />Cursos: Empresas interesadas en presentar cursos técnicos, comunicarse a <a href="mailto:sberista@gmail.com">sberista@gmail.com</a> con Sergio Beristain.<br /><br /> Tour Técnico-Recreativo post-congreso. Chichen-Itzá y Uxmal. Salida Sábado 20 Nov. 8:00 Hs., regreso Domingo 21 Nov. 20:00 Hs. Habitación sencilla, 365. Dlls. Doble 330. Dlls pp. Detalles en <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a></div><div align="justify"> </div><div align="justify"> </div><div align="justify"> </div><div align="justify">Technical Areas<br /><br />1. Oceanographic Acoustics (Fish schools, Environmental noise)<br />2. Animal Bioacoustics (Communications, Effects of noise and new technologies, Tropical animals)<br />3. Architectural Acoustics (Archaeological, Auralization, Classrooms, Room perception, Plenums, Theaters)<br />4. Biomedic Ultrasound and Vibrations (Reverse time, Doppler Methods, Therapy, Contrast)<br />5. Acoustics in Education (Audition, Teaching in America)<br />6. Acoustical Engineering (Audio, Barriers, Sound Source identification)<br />7. Musical Acoustics (Guitarrs, Musical sounds)<br />8. Noise (Culture, Environment, Protection, Community)<br />9. Physical Acoustics (Periodic structures, Ultrasound)<br />10. Physiologic and Psychological Acoustics (Binaural)<br />11. Acoustic Signal Processing (Multichannel systems, Speech recognition)<br />12. Speech Communication (Forensic voice, Perception)<br />13. Structural Vibrations and Acoustics (Metamaterials, Coherence, Energy conversion in ocean)<br />14. Sub-Aquatic Acoustics (Dispersion, Processing)<br /><br />For further information, please send your E-mail and Postal address to: <a href="mailto:sberista@gmail.com">sberista@gmail.com</a>, and check <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a></div><div align="justify"> </div><div align="justify"> </div><div align="justify">2nd Panamerican/Iberian Meeting on Acoustics<br /><br />Call for papers<br /><br />The deadline for submission of abstracts is 1 June. Abstracts must be submitted online at <a href="http://asa.aip.org/" target="_blank">http://asa.aip.org</a> (follow the "submit abstract" link below Cancun meeting heading). The password is Cancun. The deadline for submission of full (optional) papers is 10 August. For information about submission of optional full papers to include in the CD, contact <a href="mailto:sberista@gmail.com">sberista@gmail.com</a><br /><br />Registration<br /><br /> Before Oct. 4 On site<br /><br />Members ASA, FIA, IMA 395. Dlls 455.<br />1 day 200. 260.<br />Non-Members 445. 505.<br />Student members 0. 25.<br />Students non-members 50. 60.<br />Accompaining persons 60. 95.<br /><br /><br />Transfer Airport-Hotel-Airport:<br /><a href="http://www.cancunshuttle.com/">www.CancunShuttle.com</a><br /><br /><br />Accompaining persons program, detailed info. at <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a>. Or request to <a href="mailto:rdelafuente70@hotmail.com">rdelafuente70@hotmail.com</a><br /><br /><br />Persons or companies interested in participating in the exhibit, contact Robert Finnegan, Exhibits Director of ASA. <a href="mailto:rfinneg@aip.org">rfinneg@aip.org</a>. Tel. (516) 576-2433<br /><br /><br />Courses: Companies interested in presenting technical courses, contact: <a href="mailto:sberista@gmail.com">sberista@gmail.com</a> with Sergio Beristain.<br /><br /><br />Technical-Recreational post-meeting Tour: Chichen-Itzá and Uxmal. Departure Saturday 20 Nov. 8:00 Hs., Return Sunday 21 Nov. 20:00 Hs. Single room, 365. Dlls. Double room 330. Dlls pp. Details at <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a></div><div align="justify"> </div><div align="justify"> </div>sberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com1tag:blogger.com,1999:blog-5589986191992394349.post-79721972509029859212009-08-30T12:37:00.000-07:002009-08-30T12:42:58.913-07:00<div align="center"><strong>First Announcement</strong><br />2nd Pan-American and Iberian Meeting on Acoustics<br />15 – 19 November 2010<br /></div><div align="justify"> </div><div align="justify"><strong>Technical Areas<br /><br /></strong>1. Oceanographic Acoustics<br />2. Animal Bioacoustics<br />3. Architectural Acoustics *<br />4. Biomedical Ultrasound and Vibrations<br />5. Acoustical Engineering<br />6. Musical Acoustics<br />7. Noise and it’s Control<br />8. Physical Acoustics<br />9. Physiologic and Psychological Acoustics<br />10. Speech Communication<br />11. Structural Vibrations and Acoustics<br />12. Sub-Aquatic Acoustics<br />13. Acoustic Signal Processing<br />14. Acoustics in Education<br />15. Audio-Acoustics, etc.<br />Archaeological Acoustics<br /><br />In order to be included in the speeches invitation list of this meeting, please send your E-mail and Postal address to: <a href="mailto:sberista@gmail.com">sberista@gmail.com</a><br /><br /><strong>Organizing Committee</strong><br />James West (ASA), Co-Chair<br />Sergio Beristain (IMA) Co-Chair<br />Samir Gerges (FIA) Co-Chair<br />Charles Schmid, Vice-Chair<br />Rebeca de la Fuente, Cultural Program<br /><br /><strong>Acoustical Society of America</strong><br />Suite INOI, 2 Huntington Quadrangle<br />Melville, NY 11747-4502, USA<br />Tel. 516-576-2360 – FAX 516-576-2377<br />E-mail: <a href="mailto:asa@aip.org">asa@aip.org</a>, Page: <a href="http://asa.aip.org/">http://asa.aip.org</a><br /><br /><strong>Federación Iberoamericana de Acústica</strong><br />Universidad Federal de Sta. Catarina<br />Cx Postal 476 Florianópolis SC 88040900 Brasil<br />Tel. 55-48-234-4074 – FAX 55-48-331-9677<br /><a href="mailto:fia@mbox1.ufsc.br">fia@mbox1.ufsc.br</a> <a href="http://fia.ufsc.br/">http://fia.ufsc.br</a><br /><br /><strong>Instituto Mexicano de Acústica</strong><br />P.O. Box 12-1022, Mexico, D.F. 03001, Mexico<br />Tel. 52-55-5682-2830, 5682-5525<a href="mailto:sberista@gmail.com">sberista@gmail.com</a> <a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com</a></div><div align="justify"> </div><div align="justify"> </div><div align="center"><strong>The 2nd Panamerican/Iberian Meeting on Acoustics</strong><br /><br /> Includes<br /> <br /><strong>160th ASA meeting<br />7o Congress FIA<br />17o Congress IMA</strong><br /> </div><div align="justify"> </div><div align="justify">The second Pan-American/Iberian Meeting on Acoustics, co organized by the Acoustical Society of America (ASA), the Iberoamerican Federation of Acoustics (FIA), and the Mexican Institute of Acoustics (IMA), will be held in the beautiful coast of Cancun, QR, Mexico, at the Fiesta Americana Grand Coral Beach hotel installations, located at punta Cancun, at only 30 minutes from the international airport, and less than 15 minutes from downtown Cancun, also very near from multiple spots with archaeological and natural interest, such as The Mayan Sacred Cities of Chichen-Itza, Tulum, Uxmal, Coba and the natural wonders of the Xel-Há lagoon, the Islands of Contoy, Mujeres and Cosumel, Tres Rios and Xcaret (www:yucatan.gob.com)<br /><br /> The second edition will join together specialists from around the world in the relevant areas of acoustics. Besides the conferences, the organization of the event will include courses, tutorials and an exhibit of laboratory equipment, acoustical materials and services.<br /><br />At the event, there will also be technical and recreational excursions, plus an interesting cultural program for accompanying persons<br /> People or companies interested in participating at the exhibit, should contact to: Robert Finnegan, ASA Exhibits Director. <a href="mailto:rfinneg@aip.org">rfinneg@aip.org</a>. Tel. (516) 576-2433</div>sberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com0tag:blogger.com,1999:blog-5589986191992394349.post-464543836560864882009-08-19T11:36:00.000-07:002009-08-19T11:43:32.950-07:00Meeting. Information<strong>Comite Organizador - Organizing Committee</strong><br /><br />CHAIRS<br />James west (ASA)<br />Sergio Beristain (IMA)<br />Samir Gerges (FIA)<br />VICE-Chair - Charles Schmid<br />Cultural Program - Rebeca de la Fuente<br /><br /><a href="http://asa.aip.org/">http://asa.aip.org/</a><br /><a href="http://fia.ufsc.br/">http://fia.ufsc.br/</a><br /><a href="http://acustica-cancun.blogspot.com/">http://acustica-cancun.blogspot.com/</a>sberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com0tag:blogger.com,1999:blog-5589986191992394349.post-13150336809055144102009-04-19T10:46:00.000-07:002009-04-19T11:07:46.668-07:002o Panamericano de Acustica 2010<div align="center"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlNeGOCtA217LlKmmwtr5pTErejoxhUsw2lInUw7MoGIJSOxVPqlBYa8lcqSbl5_Iy_f6yyilXQ95wqbjHlUIeXHm9QJ7TFoIFJhak3HEsiOEiFqFIS5bWuc-sC-ebJkINMYFZEC0-d0Yc/s1600-h/ASA.jpg"><img id="BLOGGER_PHOTO_ID_5326463991353576850" style="WIDTH: 93px; CURSOR: hand; HEIGHT: 95px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlNeGOCtA217LlKmmwtr5pTErejoxhUsw2lInUw7MoGIJSOxVPqlBYa8lcqSbl5_Iy_f6yyilXQ95wqbjHlUIeXHm9QJ7TFoIFJhak3HEsiOEiFqFIS5bWuc-sC-ebJkINMYFZEC0-d0Yc/s200/ASA.jpg" border="0" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUhvltjWKMZjL4ej1zquxGMXZ7X2X-piqwuHlFCvE4iuNIgp46wcf6HjRkoXWPGac1UCVSEJVoAMsbaYFO3IMNY8KQAeanFn93Vl9Exqu7e4UcAVLLtCcaj59nRG0gDy8SV138J0l_E1Ej/s1600-h/IMA.jpg"><img id="BLOGGER_PHOTO_ID_5326465490245297986" style="WIDTH: 77px; CURSOR: hand; HEIGHT: 92px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUhvltjWKMZjL4ej1zquxGMXZ7X2X-piqwuHlFCvE4iuNIgp46wcf6HjRkoXWPGac1UCVSEJVoAMsbaYFO3IMNY8KQAeanFn93Vl9Exqu7e4UcAVLLtCcaj59nRG0gDy8SV138J0l_E1Ej/s200/IMA.jpg" border="0" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_bPN6J-pqRcaBOD_7RsfaEQYhwgBPkdmwoojc7Yog1dWL8ORX0NxzvDfQGSXbJfBLpVpIHrfrNaHGA5bIMlFqbjQBc0GcPqQTpfiHEV8OAUxK85lc-EIzE8-UEBkaGn8QAUG-lZidPM5L/s1600-h/fia.gif"><img id="BLOGGER_PHOTO_ID_5326464195877977234" style="WIDTH: 112px; CURSOR: hand; HEIGHT: 79px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_bPN6J-pqRcaBOD_7RsfaEQYhwgBPkdmwoojc7Yog1dWL8ORX0NxzvDfQGSXbJfBLpVpIHrfrNaHGA5bIMlFqbjQBc0GcPqQTpfiHEV8OAUxK85lc-EIzE8-UEBkaGn8QAUG-lZidPM5L/s200/fia.gif" border="0" /></a><br /></div><div align="center"><span style="font-size:180%;">1er Aviso</span><br /><span style="font-size:130%;">2° Reunión Panamericana e Ibérica de Acústica<br />15 – 19 Noviembre 2010</span></div><div align="center"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigRPCXa3MCBavHkAwH0OeKKvY1DMomkKAVospNfqzSdF06_6bgr9ubt8VT3SJgW1XeYpTbZvd16uqYrFqmiG3lXwjOjhzu0co2zZ54ps9PMCITg2jBcbf-vGHXZcq3lXQGAD6l5i-g_RD4/s1600-h/Chichen2.jpg"><img id="BLOGGER_PHOTO_ID_5326461530941031074" style="WIDTH: 213px; CURSOR: hand; HEIGHT: 270px" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigRPCXa3MCBavHkAwH0OeKKvY1DMomkKAVospNfqzSdF06_6bgr9ubt8VT3SJgW1XeYpTbZvd16uqYrFqmiG3lXwjOjhzu0co2zZ54ps9PMCITg2jBcbf-vGHXZcq3lXQGAD6l5i-g_RD4/s320/Chichen2.jpg" border="0" /></a></div><br /><br /><div align="center"><span style="font-size:180%;">CANCÚN - MEXICO</span></div>sberistainhttp://www.blogger.com/profile/08946250954520643002noreply@blogger.com1